Saboteur

In Films by Brock Bourgase

The climax on top of the Statue of Liberty’s torch is silent: there are no explosions or yells, no chaos or confusion. Simply the drama of two men fighting followed by the villain clinging to the landmark as the hero attempts to help him. The tension is enormous. Saboteur may be one of Alfred Hitchcock’s weaker films but it is still very dramatic. Barry Kane, a reluctant hero, is wrongfully accused of sabotage and must travel across the country to clear his name and prevent a greater act of terrorism. On the way, he meets many people – a chance …

Rashomon

In Films by Brock Bourgase

What more can I say about Akira Kurosawa that I haven’t already discussed? Rashomon was another innovative masterpiece, building on the themes of his other works, like High and Low and The Seven Samurai. I was mildly astonished that I didn’t have any Kurosawa DVDs on my shelves when I got home. I was sure that I had purchased The Seven Samurai some time ago. A body is discovered in the woods and three people – the accused, the victim’s wife, and the spirit of the dead man via a medium – recount different stories about what happen. The three …

Brock and the Half-Blood Prince

In Films by Brock Bourgase

Harry Potter and the Half-Blood Prince may be the funniest film in the series although it could have done more to assume its intended place as the saddest one to date. As usual, it’s a very well produced film. Direction is somewhat atypical, but the odd camera angles seem appropriate. The actors do excellent work, especially Jim Broadbent, Alan Rickman, and Michael Gambon. Almost everyone could screen this film and enjoy themselves, as shown by a nearly $160 million opening weekend gross and an 84% Rotten Tomatoes Rating. However, The Half-Blood Prince disappoints in a way that foreshadows what made …

Doubt

In Films by Brock Bourgase

Contradictions and contrasts abound throughout Doubt: good and evil, summer and winter, certainty and doubt. Largely due to the captivating performances of Meryl Streep and Philip Seymour Hoffman, the audience experiences similar opposite emotions. Who is in the right: Streep’s stern Sister Aloysius or Hoffman’s relaxed Father Flynn? As the seasons change, so does the apparent truth. “What’s this? The wind is so … peripatetic this year,” comments Sister Aloysius early in the film. Later, as Father Flynn arrives in the parish with new ideas, the school principal fights back, criticizing the priest regarding matters ranging from his close relationship …

High and Low

In Films by Brock Bourgase

Nothing blew up. Nobody fell off of a roof in Vienna. Numerous scenes unfolded without any dialogue. Yet Akira Kurosawa successfully crafted a film in 1963 that surpasses most modern action films. The plot revolved around a kidnapping mystery, which was revealed gradually as the villain and his persistent police pursuers matched wits. Scenes with hardly any action were incredibly tense, as a result of the actors’ performances, the film’s pacing, and the simple score. There was a connection between the characters and the audience which made a two and half hour film fly by. Kingo Gondo, played by Toshiro …

Touch of Evil

In Films by Brock Bourgase

Apparently, Orson Welles’ Touch of Evil is an unappreciated masterpiece. I am not that sure. There are some masterful shots and excellent performances, but I found the plot to be a bit of a train wreck. It’s like watching the Los Angeles Lakers attempt to execute the Triangle these days, extremely skilled at times yet missing some basic fundamentals. As usual, there was a dispute between Welles and the studio which led to the mangling of the original print. A DVD was released containing some of Welles’ requested changes, but it doesn’t surpass above average. Perhaps the film is an …

Reality Check

In Films by Brock Bourgase

Stanley Kubrick died shortly after completing the final edit of Eyes Wide Shut, a modern adaptation of Arthur Schnitzler’s novella Traumnovelle. Both analyze the juxtaposition of dreams and reality, the conscious and the sub-conscious, differently. Schnitzler’s work lacks the sexuality that smolders throughout Kubrick’s film but the written word offers a medium to communicate all of the protagonist’s thoughts – expressed and repressed desires, future plans and regrets – accurately depicting how he is no different from any other person. Eyes Wide Shut delves into what is real and what is not. Is Bill’s sequence of unsuccessful sexual adventures more …

Exogenous Events

In Mental Training by Brock Bourgase

Like all the exogenous events inspire the price of crude to surge, bandits raiding a village and seizing the barley crop should drive the cost of the commodity to new highs. Amid the death and destruction, farmers face financial ruin and decide to take action by hiring a number of samurai to protect them. Showcasing innovative cinematography and a tremendous score, Akira Kurosawa’s Seven Samurai illustrates the significance of trust and teamwork and the importance of brains over brawn. Initially, tensions prevent the ronin and the town’s residents from working together well. Nobody wishes to risk their life to save …

M & The Departed

In Films by Brock Bourgase

Having screened these two films lately, some points have come to light. One can’t help but remark how much cinema has decayed lately. Unlike other recent films, The Departed was driven by skill on-screen and behind the camera instead of special effects — the plot was compelling throughout and genuinely surprising. Likewise, M was thoroughly entertaining despite its technical limitations. Fritz Lang created a screenplay that was both dramatic and humorous, employed innovative camera angles, and benefited from several strong performances. Both stand out among the greatest ever in stark contrast to the sea of mediocrity that most films released …

Leadership and Star Wars

In Leadership by Brock Bourgase

After a second viewing of Revenge of the Sith, I wanted to comment about the leadership styles of the Jedi and the Sith. The Jedi alienate Anakin Skywalker when they cease to model the way and ask him to spy on the Supreme Chancellor. The Jedi Council distrusts Palpatine and his motives but their clandestine actions render Skywalker more susceptible to the overtures by Darth Sidious. Meanwhile, Palpatine senses Skywalker’s needs for self-actualisation, loving and belonging, and power and speaks to them. In Skywalker’s mind, the Chancellor has enabled him to reach his potential, in contrast to the rules and …